This might be a problem if you have long projects. This means that you have to bounce your vocal take to one continuous file, and the file it has to start at the very beginning of the project. The problem with Melodyne Uno is that it is built as a sample editor, not a processor. I have Uno, but I only use it when I really have to so I am hardly a poweruser. (and no I don't work for celemony - I don't even know who they are?) It has transformed my work flow dramatically. Melodyne Uno is without doubt the best piece of software I have bought in the last 5 years. It is the most incredible software.ĭon't judge Celemony on the older 2.6 technology - it is Uno and the forthcomimg version 3 that has the new interface and detection engine which is fully automatic. You can almost redraw the melody line if you want and there is a scrub tool that lets you hear the actual melody as it goes through every sample of pitch - I use it when I teach singing to show pupils how they are maybe: sharpening the attack of a sylable or scooping to a note. However it does come at things from a musical point of view - and in a way, requires you to have a knowledge of the melody in musical terms.īut if you know want you want to achieve, then the results are fantastic and very quick. The Uno interface is stunning and very simple to use. Uno is amazing I use it in rewire mode, works like a dream.

Uad autotune graphic mode